Purim


Lapin and Purim08 Mar 2009 05:56 pm - כט טבת תרס

Copyright Rabbi David Lapin, iawaken.org

Should Women Read the Megilah?

Gaps between the roles and competencies of modern men and women have narrowed. There are not that many areas in which, as a generalization, one gender consistently outperforms the other. Still, there is a yin/yang kind of polarity between masculinity and femininity that we lose at our peril. Masculine and feminine polarity creates energy like the electricity created by the polarity of positive and negative. There can be comfort without polarity, but not energy. Masculine-feminine polarity generates the balance of universal energy, it underpins kedushah (sanctity), and it nourishes successful relationships.

This masculine-feminine polarity helps to explain aspects of women’s roles in public Avodah such as Tefilah Betzibbur, Keriat Hatorah and Mikrah Megilah (Public prayer, Torah reading and Megilah reading). These roles are often socially contentious and Halachikly complex.

The case of Mikrah Megilah is particularly interesting. Women are chayavot (obligated) to hear the Megilah but, according to the Shulchan Aruch (O.Ch: 689:2), are not able to read the Megilah on behalf of men. Why, at least in communities where this would not be considered inappropriate (Kavod Hatzibbur) or within the confines of a private home, should a man not fulfill his mitzvah if he heard the Megillah read by a woman?

Reading To or Reading For?

There is something quite unique about the mitzvah of Megillah-reading that is different from Torah-reading. In the case of Torah reading one is required to hear the Torah being read from a kosher scroll. In the case of Megillah, the mitzvah is to read the Megilah, not merely to hear it read. The Ba’al Korei (reader) in the case of Megilah, is not reading it to the community, he is reading it as their shaliach, on behalf of the community. He represents and stands in place of each person in the community. When he reads, it is as if each individual is reading from the scroll.
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Lapin and Purim20 Mar 2008 11:57 am - כט טבת תרס

© Rabbi David Lapin, 2008 (iawaken.org)

Engaging in the Story

Media technology enables hitherto unimagined dramatic power. Special effects, with their synchronized visual and audial impact stun audiences again and again. The news media use visual impact to shape public opinion and manipulate public sympathies. Sitting in a movie seat or in front of a TV, demands no effort to engage in the drama. The drama is so compelling that it leaves an audience little choice about engaging in it.

Theater is a little different. Unless it is a major Broadway-style musical production, theater requires more attentiveness. You need to follow the dialogue, catch the humor and understand the sequences. The subtleties are generally more difficult to note than in the movies. Elizabethan theater did not even have props of any kind, everything was left to the imagination, requiring still more audience engagement than most of today’s theater.

Reading a good book requires still more engagement and attention. The investment of time and of self in reading is more than that of any other art form. The subtleties are greater, the characters develop over a longer time, and the story line needs to be held together for longer. There is less instant drama.

These differences in art forms explain the differences between various Moeid Moments (Festive times in the Jewish calendar). If Mattan Torah (the giving of the Torah at Sinai on Shavuot) is the ultimate dramatic production with unbridled visual effects, then Purim is the subtle work of literature. Mattan Torah was felt, all of it in one dramatic moment. It was compelling in its essence. It could not be denied by anyone present. That is why we are told[1] that Hashem held the mountain over them and threatened them with extinction if they did not accept the Torah. The Maharal of Prague[2] makes it very clear that this Chazal is not to be taken literally. It simply means that the revelation was so compellingly powerful that the Nation had no option but to accept the Torah.

Mystery and Allure

The Megillah (Book of Esther) is very different. It is a story of events that the cynic could interpret as coincidence. The very meaning of the word Megillah is a process of revelation rather than a moment of revelation (Giluy). The literal meaning of Megilah (scroll) is a book that unfolds, slowly: as one section becomes visible the previous one disappears. This is the essence of Tzeniut, the quintessence of Esther (I shall hide).


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Purim and YY Jacobson19 Mar 2008 10:49 pm - כט טבת תרס

via Y.Y. Jacobson, algemeiner.org

The Ship, the Island, and the Fish

One of the great Talmudic sages related the following episode:

Once, while on a ship, we came to what we assumed was a large island, since we saw on it sand and growing grass. We disembarked the ship, went on to the island, built a fire, and cooked our meal. Yet what we assumed to be an island was really a fish. When the fish felt the heat, he rolled over and we were plunged into the water. Had the ship not been nearby, we would have drowned.

– Talmud Bava Basra 73b.

What is the meaning behind this absurd Talmudic tale, related by one of its great sages Rabba Bar Bar Chana?

According to some of the great Talmudic commentators, this tale captures – in intriguing metaphor – one of the most essential truths about Jewish history, particularly one relating to the holiday of Purim.


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Chabad and Purim17 Mar 2008 03:19 pm - כט טבת תרס
Via Chabad.org


The major impediment to a proper understanding of Purim is a confusion between madness and the absurd. The distinction is not trivial. Madness is cheap. Absurdity is ingenius.A joker feigns madness; idiots see themselves and laugh nervously. A comedian commits the absurd, with superb, brilliant genius.That is the core distinction: Madness has no brains. Absurdity is intelligence in a context of madness.

All of us know madness well. We spend a third of our lives insane. At day, we walk about making rational decisions and at least attempting to make sense. But then at night, a strange thing happens. We lie in stillness and madness sets in. The world survives, but only because we wisely quarantine the madness to the privacy of our own beds. It is madness nonetheless.

The world is filled with madness, infinitely more than it is with sanity. Nature itself is a wondrous weave of the two, of symmetry within chaos, meaning within randomness, signal emanating from within the background noise. The scientist sets his focii upon the patterns, the predictable, that which can be defined and known within reason. His world is a chimera, reality escapes his grasp. For reality is mostly mad.

Religions rely on dogma before reason. Mathematics on axioms before corollaries. Philosophy looks to break the chains of dogma and axioms–and it fails, miserably. For without madness there is no world.

Now let me tell you the Kaballah of reason, madness and absurdity: In our world, madness lies below reason. In the higher world, the positions are reversed.

Reason is G‑d contracting His infinite light within the puny boxes of a consistent world, beating out the notes in rigid conformity to the tick-tock of the metronome, following the color-code in deathly paint-by-numbers order. The result may be magnificent, fascinating, fodder for countless doctorates and journals- -but it is nothing less than a suffocating straitjacket for a living, infinite G‑d.

The unencumbered context of the Infinite Light is totally mad. Anything could be, all at once–or nothing at all. There is no reality since all things could be, therefore none of them really are. Whatever is, is without reason, without meaning, as a toddler will tell you, simply “because.”

The Kabbalists call this realm the world of Tohu. It precedes the world of Tikun. The chassidic masters called it the transcendent light that precedes the constricted, orderly realm of the immanent light. From it extends all the chaos, axioms, dogma and madness of our mad world. From tikun and immanent light extend order and reason. And that is why madness has the power to win over reason.

And yet, tikun is the destiny of tohu and it’s healing. Transcendence finds fulfillment in immanence. And this is where the absurd comes to play.

Purim is absurd because Judaism is absurd because the very existence of Jews is absurd. Ultimately, G‑d is the proto-absurd.

Simply put: Judaism is absurd because it demands an absurd G‑d. A G‑d who wakes in the middle of the slumber of transcendent madness and says, “They are my people, the people of this dream, and I must save them.” That isness should care. That that which is should have meaning. Reason in a context that defies all reason.

Jews are absurd because they continue to exist. There is no reason for this. But furthermore–and these two must be related–because we insist on telling G‑d what to do. Not some silly god that sits on a stool and frets over nature. The ultimate Reality of Being. We enter a throne room to which we could never be called, since there we do not exist nor can we exist, and there we say, “Let us tell You how to run Your kingdom.”

Purim is absurd because Haman knew the secret of G‑d’s madness and rose beyond reason to that place with a lottery, obviating his own reason and appealing to Chaos. Raising his feud with Mordechai to a gallows 50 cubits high, the 50th gate that cannot be understood and there he expected his chance to win, in a place where nothing matters, because it is beyond all that.

And from there was His downfall. For he did not know that G‑d is not just reasonable or mad. G‑d is absurd.

All of reality is absurd, as absurd as the king who decrees that those who he decreed to be eliminated by his decree should stand and protect themselves from those that he decreed should eliminate them–and he prays that they should win.

As light wins over darkness, tikun over tohu, the Jew over his exile. May we soon be redeemed.

Lapin and Purim16 Mar 2008 06:39 am - כט טבת תרס

purim.jpg
Image of “The Cracow Wedding” Purimshpil”

[via iawaken.org by Rabbi David Lapin]

The story of the Megillah, always on the edge of tragedy, is nevertheless peppered with poignant moments of hysterical comedy. The bulk of the comedy however is found in the pages of Talmudic and Midrashic material. This material gives even more life to the fairly brief recounting of the story as told in the Megillah itself.

One such moment occurs when Queen Esther has set the stage for her dramatic revelation of Haman’s complicity in the plot to exterminate her and her nation. Both her husband the King and Haman have arrived at her dinner party. The King is in a joyful mood and asks her what he could give her as a gift up to the value of half of his kingdom. At that point she asks for her life and that of her people, and intends to thrust an accusing finger at Haman who she identifies as the man responsible for the extermination scheme.

An almost tragic error occurs: she points her accusing finger at her husband instead of at Haman. Just in time, an angel comes and slaps her hand across to point at Haman as the culprit rather than Achashveirosh [1]. The moment is miraculously saved and tragedy averted – once again.

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